Every Picture Is a Compromise
Lessons from the Also-rans
Most photography websites show the photographer's very best work. Wonderful. But that's not the full story of a creative life. If we want to learn, we'd better pay attention to the images that aren't "greatest hits" and see what lessons they have to offer. Every picture is a compromise — the sum of its parts, optical, technical, visual, emotional, and even cosmic – well, maybe not cosmic, but sometimes spiritual. Success on all fronts is rare. It's ok to learn from those that are not our best.
This is a series about my also-rans, some of which I've been able to improve at bit (i.e., "best effort"), none of which I would consider my best. With each there are lessons worth sharing, so I will.

Previous image | Next image |
Original digital capture

What I saw that I liked:
I love photographing rock walls. Can't explaing, but can't stop photographing them.
What I don't like in the picture:
Rock wall photographs dance a fine line between being just a dumb rock wall and being a captivating abstract. Finding the sweet spot between these extremes is not easy. Mostly I fail at it.
What I learned:
An easy cheat is to find a rock wall that serves as a background for something more interesting — a tree trunk, a shadow, a bird's nest, or a wasp colony. The rock wall then doesn't have to carry the load of being the subject, it can just be the context for the subject.
2nd Chances: What I might try next
I'll bet this would translate to b/w beautifully. |
|