Every Picture Is a Compromise
Lessons from the Also-rans
Most photography websites show the photographer's very best work. Wonderful. But that's not the full story of a creative life. If we want to learn, we'd better pay attention to the images that aren't "greatest hits" and see what lessons they have to offer. Every picture is a compromise — the sum of its parts, optical, technical, visual, emotional, and even cosmic – well, maybe not cosmic, but sometimes spiritual. Success on all fronts is rare. It's ok to learn from those that are not our best.
This is a series about my also-rans, some of which I've been able to improve at bit (i.e., "best effort"), none of which I would consider my best. With each there are lessons worth sharing, so I will.
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Original digital capture
Context Week
My predisposition is always first to get closer and reveal the details. There is an intimacy to being close that I like. However, there are times when this habit to zoom in or step closer is a mistake because it removes the context that tells the story. This week will consist of context examples from the Albany Rural and Oakwood Cemeteries in Albany, New York where context is the most important part of the image.
What I saw that I liked:
Lovely statue on the top of a tall pillar.
What I don't like in the picture:
the above seems more "heavenly" to me, almost as if the angel is carrying the child up to the heavens. That's a photographic interpretation that could work, but for me the context of the trees holds this moment earthbound.
What I learned:
Here is another example where converting the sky to a desaturated gray creates a stormy mood that I think works well with the light on the statue. |
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