Every Picture Is a Compromise
Lessons from the Also-rans
Most photography websites show the photographer's very best work. Wonderful. But that's not the full story of a creative life. If we want to learn, we'd better pay attention to the images that aren't "greatest hits" and see what lessons they have to offer. Every picture is a compromise — the sum of its parts, optical, technical, visual, emotional, and even cosmic – well, maybe not cosmic, but sometimes spiritual. Success on all fronts is rare. It's ok to learn from those that are not our best.
This is a series about my also-rans, some of which I've been able to improve at bit (i.e., "best effort"), none of which I would consider my best. With each there are lessons worth sharing, so I will.
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Original digital capture
Contrast to the Rescue Week
It's amazing how many times an increase in contrast helps an image. Of course, it's possible to push this too far, but a nudge to increase contrast brings a presence to an image that otherwise would seem flat and dull. This week's examples are all from low contrast light that was boosted a bit in processing.
What I saw that I liked:
There is something fascinating in the desert soil. This is by the side of the road where I'd stopped to eat a sandwich. I kept looking and after finishing my lunch, I pulled out the camera. Priorities.
What I don't like in the picture:
Another cloudy day without directional sunlight to create defined shadows.
What I learned:
If the sun doesn't make shadows for you, an increase in contrast during processing can sometimes be an acceptable substitute to bring a little pop to the image. I love the subtle colors in this one. |
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