Every Picture Is a Compromise
Lessons from the Also-rans
Most photography websites show the photographer's very best work. Wonderful. But that's not the full story of a creative life. If we want to learn, we'd better pay attention to the images that aren't "greatest hits" and see what lessons they have to offer. Every picture is a compromise — the sum of its parts, optical, technical, visual, emotional, and even cosmic – well, maybe not cosmic, but sometimes spiritual. Success on all fronts is rare. It's ok to learn from those that are not our best.
This is a series about my also-rans, some of which I've been able to improve at bit (i.e., "best effort"), none of which I would consider my best. With each there are lessons worth sharing, so I will.
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Original digital capture
What I saw that I liked:The low angled light illuminating this larch is just gorgeous. What I don't like in the picture:The above with the almost-centered tree becomes a picture of a thing. In this case, I find that composition to be static. What I learned:Looking a bit more intently at the scene, the composition at left becomes less about the tree and more about this forested ravine, the scene instead of the thing. That's a pretty good idea I should keep in mind all the time. Photograph the scene, not the thing. |
